The
Telegraph
If the play has a fault, it is that the American hostage,
Adam, is drawn less sharply than the other two. Even that
superb actor Jonny Lee Miller doesn't have quite enough to
work on to bring him to fully detailed life, though his empathy
with the Koran and his terror at being picked out as the man
to die are powerfully caught.
But the evening's real triumph is the superb double-act between
Aidan Gillen's bolshie Irish journalist Edward, and David
Threlfall's reserved, posh-voiced, laughably nerdish English
literature lecturer who discovers and gradually reveals enormous
reserves of courage and compassion. You seem to be watching
the entire story of Anglo-Irish relations in their exasperated
relationship, yet the tenderness that grows between them is
overpoweringly moving.
Seeing the show not long after its première, an admiring
Brian Keenan wrote that it made him choke and cry and laugh.
This marvellous revival does all those things, as well as
reducing the audience to the kind of rapt, attentive silence
that is the hallmark of great artistry.
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