JONNY LEE MILLER IN CADFAEL


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Cadfael "monks Hood" Season 1, Episode 4, as Edwin Gurney

A man, dissatisfied with his step-sons life choices, decides to leave his manor to Shrewsbury Abbey. When the man ends up poisoned after eating food sent from the abbey, the step-son becomes the prime suspect in the murder. Cadfael doubts the quick assumption, sets out to find the actions and motives behind the crime, and in the process may help to redeem himself for a promise long unfulfilled.


CADFAEL REVIEWS

Brother Jerome is always looking for something to mount up against Brother Cadfael, the gentle herbalist of the abbey, and this time he may actually have something to stand alone in the abbey court! With the Prior Abbot called from Shrewsbury, and no doubt literally ready to get the sack, Prior Robert, whom Jerome faithfully follows, is left in charge, and takes his new position most seriously, to the point that half the monks want to strangle him, and the other half, like Brother Cadfael, pray that the Father will return soon.

When a wealthy Welsh land owner deeds his property to the Benedictine order and moves his family into the abbey's confines for retirement, it is merely the beginning in a long line of treachery and betrayal. Bonel's stepson, Edwin, and himself had a furious interlude over the subject of the inheritance, to the distress of Bonel's wife, Richildis, whom it is discovered was a past friend and even fiancée of Brother Cadfael in his days of the Crusades.

What a delightful piece of information this is, Brother Jerome concludes gleefully, and proceeds to watch Cadfael carefully. But while the Benedictine brothers' attentions are occupied elsewhere, a crime is committed right below their very noses, and Bonel winds up dead, poisoned by a deadly herb from Cadfael's infirmary... commonly known as the Monk's Hood, in a dish that Prior Robert sent him. Instantly worried for the prior's own health, Cadfael is distressed to discover that the poison was meant only for Bonel.

When Richildis pleads with Cadfael to help her, Brother Jerome makes the man's previous entanglement with this woman known, and Cadfael is confined to the infirmary. However, orders never once stopped him from investigating before, and he uses his novice's pair of legs to do the searching for him. Their findings turn up a hornet's nest of motives and opportunities amidst the investigation of Edwin, who is being blamed for his stepson's death. But how long before Brother Jerome pokes his nose in again? Only time will tell.

The Monk's Hood is an interesting twist of familiarity and the unexpected that shows, once again, Cadfael at his best, in this entanglement with Richildis, and the immediate conclusions that Brother Jerome and Prior Robert are more than eager to jump to. It has a mix of comedy, drama, and adventure to keep anyone interested, and a rather surprising ending. They did change the story from that of the novel slightly, but not enough to displease any Cadfael lover.

Derek Jacobi, as always, was an excellent Cadfael, and in this episode in particular, used his expressions to convey feelings, proving that he is a master at his medium, painting his character with vibrant colors. Julian Firth's Brother Jerome was at his worst, and one almost wishes something would happen to the meddlesome, ill-mannered little snit of a monk. The ending, which involves the turning over of the abbey to a rather surprising source, leaves one in stitches, and not at all feeling sorry for the pious Prior Robert.

Few cautions are involved in this mystery. There are several innapropriate mentions of God ("God," "Christ God," and "For God's sake...") and it is apparent that Bonel was hardly faithful to his wife. Brother Jerome spills out his ideas, that Cadfael was once party to a "worldly involvement" with Richildis, and also, early in the film, is testifying against a young novice who dared sing a folk song about a crusader fascinated with a woman's chemise, but actually, it makes him more laughable, and you generally roll your eyes over his absurdity. He seems so occupied with other people being holy that it's quite apparent that if he himself were held to such a standard, such thoughts would never even cross his mind.

All in all, a good mystery. Not swiftly-moving, with very little violence, so it may not keep the attention of fast-paced film lovers, but for Cadfael fans, or even just fans of a good mystery, it's a hearty thumbs-up, and another ribbon to Ellis Peter's collection.

See this review here


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